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Special thanks to

(alphabetical by company name)
Nicole Alosinac
Alosinac Luthiery
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Nicole Alosinac studied woodworking design and construction for two years at Conestoga College of Applied Arts and Sciences in Kitchener, ON Canada. It was after completing this course and working as a cabinet maker that she discovered her passion for the guitar.
Alosinac began working for Jean Larrivee Guitars Ltd in 1999 in Vancouver, BC. During her four years there, she worked in several areas of the factory; bracing and building bodies of guitars, being a member of the quality control team, and becoming the factory and warranty repair person.

Nicole then expanded her knowledge of instrument repair by working at a very busy Vancouver guitar shop. Repairing not just acoustic and classical guitars, but electric guitars, banjos, sitars, ukuleles, ouds, erhus, basically anything that came through the doors.
During this same time Nicole was building up her own shop and continuing her studies with Master luthier Geza Burghardt, a relationship that started during her days at Larrivee. Studying classical guitar construction, guitar repair techniques, french polishing, tool construction and violin restoration.

Nicole Alosinac Luthiery was established in 2003. From the time of opening her doors she has worked on hundreds of minor to major projects, always with the satisfaction of the customer in mind. Nicole continues to study, expand her knowledge and strive for excellence in the art of luthiery.

Bruce L Bower
BB Guitars

 I have been building electric guitars since 2016, at which time I wanted a well known model of guitar, but did not have the money to buy one. I opted to build one from a kit, and have been hooked on building electric guitars ever since. Following my retirement in the fall of 2021, I have been focusing my attention on building affordable, quality electric guitars, while using locally available (and where possible, locally grown) woods. I addition, I have stayed away from environmentally problematic finishing materials, only using low VOC coatings. Since I love the look of wood, I also do not use colours, preferring instead to let the natural beauty of the wood speak for itself. I have built over 20 electric guitars with a continual view to improving quality, playability, and sustainability, and to pass this on to students and professionals alike. I have received positive feedback from gigging and session musicians, and always welcome constructive comments where possible.

Gord Budden
G Buddy Leather
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My journey began as a hobby-slash-therapy in 2010.  I was hanging out with a friend at his music store in Nova Scotia where he did lots of creative stuff - from whittling wooden spoons and small wood carvings - to making guitar straps.  My first creation, with the aid of my friend, was a dog leash.  Then I made a small, hand sewn leather bag and I carved my dog’s face in it & attached it to the leash.  . That was the beginning …

Soon after that, I went to work in the oil patch – two weeks on, two weeks off.  I would make some belts and wallets at home and bring them back to work. Soon I was getting orders every week.  One day, I had an idea to carve a fretboard into a belt for a friend’s birthday.  Though it was a lot of work, the finished product looked great and my friend loved it.
In 2015, I gave up my full time job, put on my leather hat, my wife & I loaded up, and moved to Vancouver Island to be near our daughter .  I went to my first market, set up a booth selling leather products and began to gather a following, getting custom orders most every week.  At that point I realized – hey, I think this will work as my retirement gig.  I love what I’m doing, I’m good at it and people like the product.
My style is what you might call a “vintage model”.  I make everything by hand the slow,  careful way, using  water based dyes and largely veg tan leather.  This leather is processed in an eco-friendly  manner, from start to finish, and actually  takes months to complete, with no harmful chemicals involved.   By taking this extra time, it provides a long-lasting, superior end product.

I use very little social media, preferring to meet and talk to my customers first hand.  We start talking and before you know it, we’ve designed that extra special custom item.   Drop in, take a look and check out what’s on hand and, if I don’t have what you’re looking for, there’s a good chance I might be able to make it for you!

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Bernard Funston
Funston Guitars
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Bernard Funston began building guitars about 20 years ago, at the suggestion of his then-young children. He launched Funston Guitars in 2005 to begin selling his instruments in a market seldom considered by others: the circumpolar North, including northern Canada, Alaska, Greenland, Iceland, Norway, Russia, Sweden and Finland. His repertoire includes mandolins flamenco, classical, steel string acoustic, solid body and hollow body electric guitars. Funston instruments have made their way into the hands of musicians all over the world. In September 2011 a Funston guitar, commissioned by the University of the Arctic, was presented to Vladimir Putin in Arkhangelsk, Russia to promote Arctic dialogue and cooperation. In 2020 two Funston mandolins were included in the twelve instruments produced from paulownia for the President Carter Legacy Collection. Funston’s work has been showcased in guitar shows, winning the People's Choice Award at the Ottawa Guitar Show in 2014.

luc guitar stand.jpeg
Luc Cuypers
The Guitar Stand Guy
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While the path to my current love affair in woodworking has taken several unnecessary detours (science, oceanography, software etc.) I now feel that I’m finally “home”. My workshop is my place of gratitude, sanity, recreation and enjoyment. The first guitar stand I made many moons ago was ugly enough to prod me into trying again (and again, and again …) until a satisfactory design emerged, followed by another one – a process that is still ongoing. Right now I am totally excited about another new design that will hold three guitars on a rotating platform, that I can’t wait to show off In Victoria next year. The money I charge for my creations doesn’t come close to paying for tools and woods but I don’t care. Yahoo! Hope to see you in Victoria in April.